{"id":138986,"date":"2025-08-31T15:16:05","date_gmt":"2025-08-31T13:16:05","guid":{"rendered":"https:\/\/www.germanopratines.fr\/?p=138986"},"modified":"2025-08-31T15:16:06","modified_gmt":"2025-08-31T13:16:06","slug":"marcel-duchamp","status":"publish","type":"post","link":"https:\/\/www.germanopratines.fr\/en\/exhibitions\/marcel-duchamp\/","title":{"rendered":"Marcel Duchamp"},"content":{"rendered":"\n<h1 class=\"has-text-align-center\">The art of being cramped<\/h1>\n\n\n\n<div style=\"height:51px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><a href=\"https:\/\/www.germanopratines.fr\/wp-content\/uploads\/2025\/08\/Marcel-Duchamp-Galerie-Dina-Vierny-4.jpeg\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/www.germanopratines.fr\/wp-content\/uploads\/2025\/08\/Marcel-Duchamp-Galerie-Dina-Vierny-4.jpeg\" alt=\"\" class=\"wp-image-139041\" width=\"1013\" height=\"1387\" srcset=\"https:\/\/www.germanopratines.fr\/wp-content\/uploads\/2025\/08\/Marcel-Duchamp-Galerie-Dina-Vierny-4.jpeg 640w, https:\/\/www.germanopratines.fr\/wp-content\/uploads\/2025\/08\/Marcel-Duchamp-Galerie-Dina-Vierny-4-219x300.jpeg 219w, https:\/\/www.germanopratines.fr\/wp-content\/uploads\/2025\/08\/Marcel-Duchamp-Galerie-Dina-Vierny-4-515x705.jpeg 515w\" sizes=\"(max-width: 1013px) 100vw, 1013px\" \/><\/a><\/figure>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>The gallery&#8217;s third exhibition dedicated to Duchamp, this presentation, combining ready-mades, drawings, sound recordings, editions and rarely shown pieces, is part of a broader current trend, echoing the major retrospectives planned for 2026\u20132027 at MoMA, the Philadelphia Museum of Art and the Centre Pompidou \u2013 Grand Palais.<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><a href=\"https:\/\/www.germanopratines.fr\/wp-content\/uploads\/2025\/08\/YhMcRepA-1.jpeg\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/www.germanopratines.fr\/wp-content\/uploads\/2025\/08\/YhMcRepA-1.jpeg\" alt=\"\" class=\"wp-image-139045\" width=\"1038\" height=\"829\" srcset=\"https:\/\/www.germanopratines.fr\/wp-content\/uploads\/2025\/08\/YhMcRepA-1.jpeg 640w, https:\/\/www.germanopratines.fr\/wp-content\/uploads\/2025\/08\/YhMcRepA-1-300x240.jpeg 300w\" sizes=\"(max-width: 1038px) 100vw, 1038px\" \/><\/a><\/figure>\n\n\n\n<div style=\"height:51px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>It features several central pieces from Duchamp&#8217;s constellation: the Kodak Box from 1914, the Green Box, the Suitcase Box, all fragments that condense, displace, and recompose. A few essential pieces mark the exhibition\u2014Le Peigne, Air de Paris, three different versions of L.H.O.O.Q.\u2014as well as a rare collection of works on paper: the first sketch for the Tamis du Grand Verre, a rare signed check from 1963, and a youthful caricature, grating and ambiguous (Ni homme, ni femme, pas m\u00eame Auvergnat), in which an androgynous figure emerges for the first time\u2014like a prefiguration of Rrose S\u00e9lavy.<\/p>\n\n\n\n<div style=\"height:51px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><a href=\"https:\/\/www.germanopratines.fr\/wp-content\/uploads\/2025\/08\/Marcel-Duchamp-Galerie-Dina-Vierny-2.jpeg\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/www.germanopratines.fr\/wp-content\/uploads\/2025\/08\/Marcel-Duchamp-Galerie-Dina-Vierny-2-617x1030.jpeg\" alt=\"\" class=\"wp-image-139035\" width=\"996\" height=\"1663\" srcset=\"https:\/\/www.germanopratines.fr\/wp-content\/uploads\/2025\/08\/Marcel-Duchamp-Galerie-Dina-Vierny-2-617x1030.jpeg 617w, https:\/\/www.germanopratines.fr\/wp-content\/uploads\/2025\/08\/Marcel-Duchamp-Galerie-Dina-Vierny-2-180x300.jpeg 180w, https:\/\/www.germanopratines.fr\/wp-content\/uploads\/2025\/08\/Marcel-Duchamp-Galerie-Dina-Vierny-2-422x705.jpeg 422w, https:\/\/www.germanopratines.fr\/wp-content\/uploads\/2025\/08\/Marcel-Duchamp-Galerie-Dina-Vierny-2.jpeg 640w\" sizes=\"(max-width: 996px) 100vw, 996px\" \/><\/a><\/figure>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>&nbsp;Conceived as a retrospective in miniature, the exhibition seeks neither to demonstrate nor to bring together, but to illustrate a few essential fragments of an artist who has constantly blurred the lines between the author, the work and its reproducibility. Organizing a retrospective in the intimacy of the gallery at 36 rue Jacob amounts to replaying the gesture of the Bo\u00eete-en-valise: it is not the work as a whole that one attempts to fit into a restricted space, but a condensation of his gestures, his thoughts and his techniques.<\/p>\n\n\n\n<div style=\"height:49px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><a href=\"https:\/\/www.germanopratines.fr\/wp-content\/uploads\/2025\/08\/Marcel-Duchamp-Galerie-Dina-Vierny-1.jpeg\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/www.germanopratines.fr\/wp-content\/uploads\/2025\/08\/Marcel-Duchamp-Galerie-Dina-Vierny-1.jpeg\" alt=\"\" class=\"wp-image-139037\" width=\"1009\" height=\"1451\" srcset=\"https:\/\/www.germanopratines.fr\/wp-content\/uploads\/2025\/08\/Marcel-Duchamp-Galerie-Dina-Vierny-1.jpeg 640w, https:\/\/www.germanopratines.fr\/wp-content\/uploads\/2025\/08\/Marcel-Duchamp-Galerie-Dina-Vierny-1-208x300.jpeg 208w, https:\/\/www.germanopratines.fr\/wp-content\/uploads\/2025\/08\/Marcel-Duchamp-Galerie-Dina-Vierny-1-490x705.jpeg 490w\" sizes=\"(max-width: 1009px) 100vw, 1009px\" \/><\/a><\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"has-text-align-center\">September 17 to November 8, 2025<\/h3>\n\n\n\n<div style=\"height:32px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h1 class=\"has-text-align-center\">GALERIE DINA VIERNY<\/h1>\n\n\n\n<h3 class=\"has-text-align-center\">36 rue Jacob 75006 Paris<\/h3>\n","protected":false},"excerpt":{"rendered":"<p>The art of being cramped The gallery&#8217;s third exhibition dedicated to Duchamp, this presentation, combining ready-mades, drawings, sound recordings, editions and rarely shown pieces, is part of a broader current trend, echoing the major retrospectives planned for 2026\u20132027 at MoMA, the Philadelphia Museum of Art and the Centre Pompidou \u2013 Grand Palais. It features several [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":139047,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[381],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Marcel Duchamp | City Guide Paris - De Saint-Germain des pr\u00e9s au Palais Royal | les Germanopratines<\/title>\n<meta name=\"description\" content=\"The art of being cramped The gallery&#039;s third exhibition dedicated to Duchamp, this presentation, combining ready-mades, drawings, sound recordings,\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.germanopratines.fr\/en\/news\/marcel-duchamp\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Marcel Duchamp | City Guide Paris - 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